Ravel, hurt by the comment, ended the relationship. After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ballet. Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. You know my intense attraction to these wonderful rhythms and that I value the joie de vivre expressed in the dance much more deeply than Franckist puritanism. Ravel described his own attraction to waltz rhythm as follows, to Jean Marnold, while writing La valse: After his service in the French Army, Ravel returned to his original idea of the symphonic poem Wien. In Ravel's own compositional output, a precursor to La valse was his 1911 Valses nobles et sentimentales, which contains a motif that Ravel reused in the later work. An earlier influence from another composer was the waltz from Emmanuel Chabrier's opera Le roi malgré lui. The idea of La valse began first with the title "Vienne", then Wien (French and German for " Vienna", respectively) as early as 1906, where Ravel intended to orchestrate a piece in tribute to the waltz form and to Johann Strauss II. In his tribute to Ravel after the composer's death in 1937, Paul Landormy described the work as "the most unexpected of the compositions of Ravel, revealing to us heretofore unexpected depths of Romanticism, power, vigor, and rapture in this musician whose expression is usually limited to the manifestations of an essentially classical genius." Creation and meaning (The year of the choreographic setting, 1855, repudiates such an assumption.)" In the course of La Valse, I did not envision a dance of death or a struggle between life and death. But one should only see in it what the music expresses: an ascending progression of sonority, to which the stage comes along to add light and movement." He also commented, in 1922, that "It doesn't have anything to do with the present situation in Vienna, and it also doesn't have any symbolic meaning in that regard. This dance may seem tragic, like any other emotion. The work has been described as a tribute to the waltz the composer George Benjamin, in his analysis of La valse, summarized the ethos of the work: "Whether or not it was intended as a metaphor for the predicament of European civilization in the aftermath of the Great War, its one-movement design plots the birth, decay and destruction of a musical genre: the waltz." Ravel himself, however, denied that it is a reflection of post- World War I Europe, saying, "While some discover an attempt at parody, indeed caricature, others categorically see a tragic allusion in it – the end of the Second Empire, the situation in Vienna after the war, etc. It was conceived as a ballet but is now more often heard as a concert work. La valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), is a work written by Maurice Ravel between February 19 it was first performed on 12 December 1920 in Paris. For George Balanchine's ballet, see La Valse (Balanchine).
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